Film
The Safdie brothers are willing to look at hard truths, creating a movie that retains the immediacy and the tragedy of addiction.
Many of the films being made in Massachusetts are by independent Massachusetts filmmakers, most of them documentarians. Why is nobody talking about how to subsidize them via the tax credit?
Actor Russell Crowe’s directorial debut is visually gripping and very well acted — but its ending is disappointingly hokey.
Paul Dano invests the younger Brian Wilson with focused ecstasy, especially during his creation of the landmark album, Pet Sounds.
In his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
Aloha comes across as Cameron Crowe’s baffling artistic suicide note to his adoring public.
Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
Film Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
What happens when someone performs at the highest possible level of an art form and then has to give it up?
Fuse Commentary: Farewell, Hollywood Express
Hollywood Express is closing at the end of July. Movies will be distributed by Cloud. Have you ever tried talking to the Cloud?
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