Film

Movie Review: Boston Jewish Film Festival — Neighbors Near and Far

November 5, 2011
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Congratulations to the Boston Jewish Film Festival are certainly due to its longevity and general quality.

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Theater Review: Not Enough Political Heat in “The Kitchen”

October 26, 2011
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National Theatre director Bijan Sheibani chose artistry of movement, beautiful as it is, over the battering belittlement of really hard, unappreciated work, the facts of sweat and stupor.

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Movie Review: Black Power Mixtape 1967–1975 — Scattered, Skewed, But Engaging

October 17, 2011
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This intriguing documentary, made up of first-hand footage about the Black Power movement, will air on WGBH’s Independent Lens this Thursday @ 10 p.m.

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Film Round-up: Halloween Scarefests on the Silver Screen

October 11, 2011
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In the coming week there will be screenings of a variety of horror films from over the decades — you choose how you want your spine tingled. And don’t forget to dress up

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Movie Review: “The Ides of March” — Even with George Clooney, It’s Politics as Usual

October 8, 2011
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“The Ides of March” tells the same old political story: we know how tedious the campaign season is, we know that deals are made behind doors and that all that really matter are the numbers.

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Coming Attractions in Film: October 2011

October 2, 2011
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New England theaters, and especially Boston’s, have compiled a fantastic lineup of programs for October, a classically-great month for films (especially if horror is your thing).

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Film Review: Take a “Drive,” She Says

September 16, 2011
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In “Drive,” director Nicolas Winding Refn crafts a cool, tight and stylish film that gets away with a lot. He managed to make a movie that works as some kind of bizarre but wonderful Michael Mann/Jean-Pierre Melville/Quentin Tarantino mash-up, helmed by star Ryan Gosling, who described it as a “violent John Hughes movie.”

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Film Review: “Contagion” — Virus infects world, world dies, world loots, scientists try to develop vaccine.

September 10, 2011
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Despite its serious script and premise, “Contagion” is somehow able to retain a subtle element of “fun,” an admirable feat for a movie in which scores of people die in nearly every scene.

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Book Review: An Invaluable Testament to When Movies and Criticism Mattered

September 8, 2011
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What drives serious writing about film? “When Movies Mattered” suggests an answer: it helps for a critic to take a side, not as consumer advocate, hipster crank, or box office predictor, but as a passionate advocate for standards, often taking on the role of separating overpraised films from the unfairly neglected.

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Movie Review: Daytime in Paris — A Far Better Movie

September 7, 2011
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The Hedghog’s steady, slow pacing—so rare in any film today—captures the rhythms of haut bourgeois life in Paris and draws out the nuances of how people change and are changed by relationships everywhere. The Hedgehog (Le herisson). Directed by Mona Achache. At the Kendall Square Cinema, West Newton Cinema, and other screens throughout New England.…

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