Film
By Betsy Sherman As a film about a brief, cross-generational friendship, Mrs. Palfrey at the Claremont (now playing at the Kendall Square Cinema) doesn’t have the pop-culture cachet of Lost in Translation or Harold and Maude. It’s content to nestle into an ambiguously etched contemporary London in which people quote Wordsworth and make a fuss…
Read MoreA gorgeous documentary examines the 1990 heist of priceless art from Boston’s Isabella Stewart Gardner Museum. By Betsy Sherman It must be hard to decide at what point to undertake a documentary about an ongoing investigation. What if events conspire to make the film you’ve shot seem half-baked, or even irrelevant? Rebecca Dreyfus’ “Stolen,” about…
Read MoreBy Adrienne LaFrance Picture an alternate 2006 in which the internet slave trade in America is an integral part of the economy, only white men have the right to vote, and culture is devoid of jazz, rock ‘n’ roll and countless other things. Head to Fenway and you’ll hear the national anthem, “Dixie,” played before…
Read MoreFull disclosure: my mother died of lung cancer, brought on by a decades-long addiction to the product satirized in the new film “Thank You for Smoking,” directed by Jason Reitman (son of Ivan Reitman) from a novel by Christopher Buckley (son of William F. Buckley). So maybe I’m not the right person to be reviewing…
Read MoreTwo new films explore the provocative premise that slavery in America didn’t end after the Civil War.
Read MoreBy Thomas Garvey Michael Haneke may be the only living director who really matters, but you might not guess that from “Cache” (“Hidden”), the new film that has finally brought the brilliant Austrian auteur some serious media attention. It’s far easier, actually, to guess from “Cache” why he’s suddenly a press darling: the film treats…
Read MoreWoody Allen’s big comeback? His best work in a decade? Genius rivaling “Annie Hall”!? What potent, absorbing, and thoroughly compelling version of “Match Point” were these critics watching? Look, it’s set in London, not New York! Listen, that crackling soundtrack is opera, not jazz! And wait a minute, there is no would-be Woody character in…
Read MoreWoody Allen’s freshest and most potent film in years manages to be much more than an erotic thriller. By Betsy Sherman Woody Allen’s cinema of the past 10 years has been one of quaint fetishes. True, his passion for early jazz resulted in the hilarious “Sweet and Lowdown,” but aside from that movie and the…
Read MoreI enjoyed the movie —- critics from outside the dance world have found Ballet Russes charming, too — but the filmmakers’ real gifts are the oral histories that they collected from these dancers just before it was too late.
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