Film
The Imitation Game is a movie that should have made us angry, but it merely makes us sad.
Not since the closing of Boston’s Exeter Street Theatre have so many of Alex Guinness’s classic films been available to be viewed on a local big screen.
Perhaps Top Five is Chris Rock’s penance for doing lucrative-paying voices for the insanely popular Madagascar animation franchise.
In The Gambler, Mark Whalberg gives a performance he should be proud of.
Walter is pure evil. Margaret is pure good. And that is Big Eye‘s undoing.
Wild is a compelling stream-of-consciousness narrative that mirrors how we actually make sense of our life experiences as we have them and then remember them.
Exodus: Gods and Kings is a tribute to those overblown biblical movies of the 1950s, albeit with all the eye-candy trappings that today’s high tech special effects can offer.
Our demanding critics choose the best and worst films of the year.
Are men totally useless in Zero Motivation? Well, they can come in handy when you want to use one of them as a sexual object.
Mariana Rondón’s Bad Hair is a beautifully acted film about the stultifying pressures on downtrodden lives.
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