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Simon Schama just can’t stop going on about religion and the extra-special Jewish feel for beauty that has, to his mind, kept Judaism vibrant and intact through the ages.
Israel’s Nalaga’at Theater Deaf-Blind Acting Ensemble, whose name translates to “Do Touch,” is on a U.S. tour that included a side visit to the White House.
Adeptly directed by Roger Michell, “Le Week-End” soars because of its glorious leads.
The culture of American fiction is never as neatly defined as books like “MFA vs NYC” make it out to be.
I do not remember disliking the characters in Anton Chekhov’s “The Seagull” as much as I did in this production.
Yes, Gary Numan’s jumped a bandwagon, but the former new-wave hitmaker has done it with style.
For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.
Heralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.
Robin Lane’s story goes back to her ‘60s days as a child of Hollywood glamor, her long tenure as a Boston rock survivor, and her recent renaissance as a musical counsellor for abused women.
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