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Theater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.
Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.
As a solo artist, Neil Finn’s moved away from straightforward pop and toward a moodier sound, with lyrics asking bigger questions about life and mortality.
“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.
“Buster Keaton’s imagination and ideas are more surrealistic than Chaplin’s, and his stunts are astonishing in terms of their demanding technique, even today”.
Multi-talented performer Ibrahim Miari has written an insightful and funny one-man show that draws on his own life as the son of an Israeli Jewish mother and Palestinian Moslem father born in what is now the Israeli city of Akko.
The Emmanuel Music concert was a seriously Big Event, as most Russell Sherman performances are, with many outstanding pianists there to hear it.
Anita Hill’s struggle is an essential piece of modern cultural and political history that remains painfully relevant.
A sensitive folkie may tell you to get beyond your negativity; these guys tell you to “take all that bullshit and put it in the dumpsta.”
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