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The Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.
Dramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Far from being the cool, detached, and cerebral creations of the color field artists, these quilts, imagined in their intended context, are deeply personal, sensuous, and alive.
“Fargo” creates its own world of crime and moral conundrums while delivering a fair share of blood. Whether the TV series delivers on its promise to be in the same aesthetic world as the original movie is an open question.
A fast-paced, fact-laden book by two “Boston Globe” reporters about the 2013 Boston Marathon bombings that doesn’t answer the tough questions.
Loose Salute uses its genuine love for the too-little-heard Michael Nesmith and too-little-respected Monkees songbooks as a springboard for inventive arrangements that are true to the unique character of the music.
“Silicon Valley” is sharp fun for both the computer lingo-savvy and for the non-Tweet, non-Facebook crowd such as out-of-it me.
Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Everyone these days is racing through “Blood Will Out,” an undeniably enthralling three-hour read.
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