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Tim Page on a generous sampling of Virgil Thomson’s best music criticism – trenchant, outspoken, oftentimes delightfully clever, and always assured.
For those of us who love Christmas music, Aimee Mann and company showed how to do it right: a lot of lovely songs and festive spirits, not a lot of sticky sentiment.
As is the case with all public spaces, Magazine Beach reflects the sensibilities and desires of its users, who ruined, abandoned, embraced, and transformed the area.
If the fate of life on earth comes down to mother and daughter bonding over a racy passage in Anaïs Nin, then he whales should just call it a day.
Mr. Airplane Man was beloved in the local blues world and the Abbey Lounge garage-rock circuit. They play their first local shows in nine years this week.
Mariana Rondón’s Bad Hair is a beautifully acted film about the stultifying pressures on downtrodden lives.
Arts Fuse critics select the best in music, film, dance, theater, and author readings for the coming week.
Marian Schwartz’s careful translation of Anna Karenina is exquisitely mindful of the book’s complex linguistic texture.
Entertaining yet incisive, The Conquest of Plassans remains a devastatingly acute reminder that religion and politics make surprisingly compatible bedfellows.
On this show, thriving on caricature as it does, the chasm between Amy and Sheldon stops laughter long enough to suggest poignancy.
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