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As Louis Armstrong, the gifted actor John Douglas Thompson is working with a script whose lines and contours are as woefully predictable as a profile in the old Life Magazine.
Read MoreIf the poems in “That Said: New and Selected Poems” had been ordered differently, the volume would have made more of its virtues.
Read MoreHad “Arrested Development” been aired after the recession, the series’ chances for survival would have benefited from the nation’s need for a healthy laugh at a time of monetary meltdown.
Read MoreWhy does Laura Miller feel, given her belief that negative reviews are often useless, that she has to kick criticism while it is down? Why argue against the efforts of a small number of delusional reviewers in major publications who continue to speak fruitless negativity to the indifferent masses?
Read MoreUnlike the rock star supporters of Pussy Riot, Garry Kasparov lives in Moscow, which means, given how the Putin regime has dealt with critics, he has a lot more to fear than, say, Madonna, who nevertheless should be applauded for speaking out at her Moscow concert.
Read MoreDespite the high level of the players, there are things a professional quartet brings to a performance or recording—uniformity of sound and style—that cannot be matched by a group cobbled together and given limited rehearsal time.
Read MoreIt’s rather melancholy to think that this incarnation of the TMCO will never perform again as an ensemble. Such is the nature, though, of Tanglewood and many summer music festivals.
Read More“New York Times” Book Critic Dwight Garner makes salient points about the need for incisive criticism, claiming that too much happy talk denies common sense and undercuts credibility. But the ‘gonzo’ masterwork “Fire the Bastards!” hammers the point home much more memorably.
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