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Director Robert Lepage’s “The Andersen Project” is a masterful meditation on the agonizing process of artistic creation. Few scripts bring the mixed essence of opportunism and magic of show biz together so effortlessly.
Read MoreThe Arts Fuse has added some new features that make us easier to read and share.
Read MoreClaude Lanzmann is a great raconteur who’s honed his narrative skills as a veteran journalist. His memoir is exuberant and provocative at its best; bombastic and superficial at its worst.
Read MoreChameleon Arts Ensemble’s program, “into unison with romantic spirit,” contained more rarities than many chamber music groups perform in a season.
Read MoreThe Fuse’s man in Europe is a museum junkie. During the second half of 2011, he got to lots of new destinations, and he found new museums almost everywhere he went. This installment is about Finland, Estonia, Latvia and Belgium.
Read MoreIsraeli Stage’s readings are consistently the best attended in the Boston area, thus demonstrating that there is a great appetite for Israeli culture beyond folk dance and hummus.
Read MoreThe concert’s other purely orchestral work, Mendelssohn’s “Scottish” Symphony (no. 3), came after intermission and offered Mr. Valcuha the opportunity to demonstrate his command of large-scale symphonic structure. Let’s just say he flexed some pretty impressive muscle.
Read MoreAfter hearing just the first of William Kentridge’s six Norton Lectures, I have no doubt that this series of “Drawing Lessons” will be one of the most entertaining and enlightening artistic events of 2012.
Read MoreAlthough there is room for improvement, the singers engage each other, as well as the orchestra, with vigor and skill, making for a satisfying “Snegurochka” in Russian.
Read MoreWAM’s Chamber Music Series is a model for what chamber music performance ought to be: excellent musicians performing in a small space with a rather informal air to the proceedings.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest