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William Inge’s Off the Main Road is both contemporary and politically incorrect in the best ways.
Out of Sterno punches the same punchline far too often.
This was probably the loudest, rockingest Brian Wilson show I’ve ever seen.
The venerable Priscilla Beach Theatre was in danger of crumbling away — but it has been fully restored and is swinging into a summertime season of musicals.
So there was the Ornette Coleman Quartet, leading off the final side of vinyl with a cut that changed my life, “Lonely Woman.”
In many ways, Alan Ayckbourn in Intimate Exchanges has concocted the perfect recipe for a company like the Peterborough Players.
“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.
The writing in this novel depends on winks and nods. You’re invited to be in on a big joke, assuming it is one.
Arts Remembrance: Guitarist Garrison Fewell — The Master of Searching for Something More
An inspiring man as well as a brilliant musician, Garrison Fewell had the courage to turn away from the darkness and to embrace the light.
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