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Bill Frisell and his quartet performed a program of well-worn American hits whose juxtapositions allowed you to make your own cross-references and draw your own conclusions.
In his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
Aloha comes across as Cameron Crowe’s baffling artistic suicide note to his adoring public.
Despite the neglect from the local media, the Boston blues scene is strong.
Biographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
Nobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Film Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
TV Commentary: A Fan’s Meditations on the Finale of “Mad Men”
People bonded with the product Mad Men was selling, but what were they falling for?
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