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Jonathan I. Israel has written a monumental three-volume history of the Enlightenment, approximately 2500 pages long, not including three lengthy bibliographies. His erudition is fabulous; his range is dizzying.
Read MoreA strange mix of characters who all have complicated pasts gives rise to a novel that blossoms — exactly as a flower does — into a complex drama that includes several points of view and a wide range of emotions.
Read MoreWhat’s coming up now in this small gap between the Awards shows and the Film Festival Season? Lots! This month is a cornucopia of adventurous off-the-radar films. March features several great director’s series, Hong Kong, German, and Czech premieres, women directors, local directors, and a range of documentaries on music that you probably never heard of.
Read MoreAs this is his only work which Shakespeare himself titles ‘comedy,’ a company may feel an obligation to elicit laughter. Ironically, this duty can become burdensome.
Read MoreThis month I am simply listing concerts I expect will be great. My pick of the month is the Boston debut of a new Flute, Viola, and Harp trio, starring instrumental superstars Marina Piccinini, Kim Kashkashian, and Sivan Magen.
Read MoreThe musical wheels out well-trodden jokes about growing old while supplying all the usual greeting card life lessons (live each moment as if it were your last!).
Read MoreBoth productions play around with chronology in order to show the dark side of history, to unmask convenient illusions of social or personal well-being by juxtaposing the myopia of the past with the payback of the future.
Read MoreWe’re in this virtual reality age now, asking new questions about what art is. What has true meaning and what doesn’t?
Read MoreThe Boston Philharmonic Orchestra handled Lutosławski’s aleatoric textures with confidence, though the all-important brass interruptions felt more hesitant than decisive, making the work’s narrative quality rather episodic as opposed to smoothly flowing.
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