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Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Ronan Noone’s allegedly frisky sex farce is bloodless.
Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
The Grand Parade is a truly sumptuous feast of imagination, color, emotion and movement; a uniquely dramatic way of interpreting our history as a torrent of events presented without judgment.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.
The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.
Fuse Commentary: Five Minutes With NEA Chairman Jane Chu
God speed Chairman Chu on her mission to make the fine arts less marginalized in a determinedly bottom line culture, obsessed with the pragmatic rather than the imaginative.
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