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Imaginary Beasts is to be congratulated for bringing public attention to the brilliant, idiosyncratic-to–the-max-and-beyond work of Daniil Kharms, a writer silenced by Stalin.
Despite producing atmospheres reminiscent of smoke, rust, and acid, a streak of joy runs through Lester Johnson’s paintings.
Maurizio Pollini’s Chopin was breathtakingly beautiful, and often downright thrilling.
Ready to Burst is a compelling, intricately structured story told in resourceful, oft-poetic language by a influential Haitian poet and novelist.
Esperanza Spalding is not simply beyond reproach – she is a young lioness the likes of which the jazz world has really never seen before.
Arts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
An exciting complement to the new book is a traveling retrospective of Hou Hsiao-hsien’s films, a rare opportunity to see 19 of the director’s movies shown on 35mm film: at Cambridge’s Harvard Film Archive through November 2.
Director David Fincher does a good job at making our skin crawl while we chuckle at the audacity of the goings-ons in Gone Girl.
There were times during the performance when Mehmet Ali Sanlikol and the band seemed to fully enter the Ottoman empire.
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