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This year’s Taste of Iceland is bringing in only one film, Rock in Reykjavik, and it is screening only once.
The rapturous reaction to Boston Ballet’s performance on Sunday afternoon demonstrated that this kind of work can still move an audience.
The Annotated Poe invites readers to take a fresh look at Edgar Allan Poe and his far-ranging artistic legacy.
Felix Mendelssohn remains one of the West’s most underrated composers.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Those assembled at Boston’s Jordan Hall were thoroughly prepared to be enraptured.
Introduced by gigantic moving set-pieces and robots with prison searchlights for eyes, Bolt often looks like poster art.
Jason Isbell has got sober, and his songs ring with the urgency of the newly recovered (and newly remarried, to his violinist Amanda Shires).
Rethinking the Repertoire #7 – Christopher Rouse’s “Phantasmata”
Christopher Rouse is a tough composer to pin down and that stylistic unpredictability has, in part, provided his music notable expressive breadth.
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