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When it comes to dramatic debate, balanced parry and thrust are paramount.
What interested me about Bitches Brew was the chance to discover how choreographer Karole Armitage re-rigs classical ballet steps.
The Rasas are but the latest in a series of remarkable scores John Harbison has been turning out over his eighth decade.
Once and For All asserts the value of Delmore Schwartz’s provocative and multifaceted literary legacy.
John Hiatt’s voice has taken on some Tom Waits-like cragginess in recent years.
Amazingly, the group’s 50th anniversary tour features three of the original members: lead singer/guitarist Jeff Hanna, string player John McEuen, and drummer Jimmie Fadden.
Legally Blind contains sufficient satiric sting because it takes aim at the current fashion for musicals in which handicapped souls are healed.
Jazz groups of eight to eleven often make fascinating and unusual music, but they rarely survive.
But dissonance is at the edge of everything you hear at the New Orleans Jazz & Heritage Festival — a sound that contains multitudes.
Film Commentary: The IFFBoston — Documentaries Focusing on the Marginalized
The IFFBoston’s commitment to films about marginalized communities is turning the festival into an essential cultural event.
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