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Why did rock and roll become white? Music critic Jack Hamilton’s extraordinary new book provides a challenging answer.
Country for Old Men is surely going to stand as one of the best, as well as among the most unusual, recordings of the year.
Kim Jong-il, then heir to the leadership of North Korea, kidnapped South Korean superstars to beef up the country’s impoverished cinema.
As a work of history, a journalistic account, and an astute study of a troubled subculture, Altamont is so engrossing that it almost disarms criticism.
“The purpose of the film is to take the audience on what I hope will be a riveting, challenging, and ultimately uplifting journey into the world of human trafficking.”
This is a major Bach town and, judging by this evening, no ensemble performs his music much better than H & H under Harry Christophers.
Romona Lisa Alexander’s impressive talent for chameleonic invention is well-suited to this demanding script.
This year’s theme, “Jazz: A Peace Supreme,” is a bit diffuse—and so is the roster of performers, headlined by drummer Billy Hart and vocalist Al Jarreau.
Yes, another circus show has come to town with players who display breath-taking athleticism in all its cheeky glory.
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