Featured
Here’s a look back at the history of jazz recordings and a selection of ten of the best, plus one release from 2018 that has a good chance of being one of my favorites for many years to come.
This entertaining version of The Nutcracker reflects Boston’s rich multicultural diversity.
Shtisel offers a humane glimpse into the lives of people who would normally be shrouded from me by all sorts of religious and political barriers.
Aequa is one of the year’s standout new-music albums. Philip Glass’s Symphony no. 11 suggests that the veteran composer has more than a few tricks left up his sleeve. And Neave Trio’s Celebrating Piazzolla is a thoroughly delightful, engaging album.
Rev William Barber II has effectively demonstrated again and again what he often calls “fusion politics” across lines of race, age, and religion.
An impressive collection of nine new releases (seven of which are reviewed here). While some might not displace the classic recordings of Debussy already out there, this gathering offers some welcome and fresh interpretive contrasts.
A list of the most memorable opera and vocal recital recordings of the year.
Our critic’s twelve favorite classical music performances that he reviewed this past year.
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
Best Jazz Recordings (and Live Concerts), 2018
A pair of our critics supply their favorite albums and live local concerts of the year.
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