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Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.
This new musical is charming and lively, but without some renovation its future life is in question.
Killing Eve is a smart, funny, and often shocking exploration of the complex psychologies of women leading dangerous lives, for whom killing comes much easier than it ought to.
This screening of Carl Dreyer’s classic film will offer some exceptional, and exciting, musical strengths.
The best (or worst, depending on your preferences) aspect to Boston Calling has become its attention to youth-centric subcultures that have blown mainstream in DJs/electronic music and hip-hop.
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
Verisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.
How seriously do we take country rap? Is it even a genre?
Do musicals with honorable intentions deserve a pass when it comes to quality?
Video Game Commentary: PAX East 2019 — Day One
My first day at this year’s PAX East was generally disappointing, though there was some enjoyment to be had.
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