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The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.
This evening is a revelatory experience on race relations, with grief, rage, and the whole business of hope and change.
Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.
“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”
These exhibitions present two very different ways of engaging with gender, both raising the question of gaze.
James Graham’s new play almost evokes sympathy for the devil. Almost.
Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.
Is it all, from here on out, to be about Daenerys v. John Snow for the Iron Throne?
John Hersey emerges in this book as a disciplined journalist who held steadfast to an admirably singular goal.
This performance of Ives’ Third was the most welcome entry in the Boston Philharmonic Orchestra’s celebratory season – a beautifully considered, powerfully rendered account of this too-neglected score.
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