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Film Review: “XX”—Horror Anthology, Female Version

March 6, 2017
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I was looking forward to XX because it was horror, it was an anthology, and because all four pieces were directed by women.

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The Arts on the Stamps of the World — March 6

March 6, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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TV Review: “3 Mics”—Neal Brennan’s Innovative Stand Up

March 5, 2017
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Neal Brennan’s mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.

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The Arts on the Stamps of the World — March 5

March 5, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “The Night of the Iguana” — A Creature Feature

March 4, 2017
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The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.

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The Arts on the Stamps of the World — March 4

March 4, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: ASP’s “Edward II” — The Intimacy of Political Violence

March 3, 2017
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Marlowe’s skill in maintaining a high level of complexity put the history play on a sophisticated footing.

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Concert Review: A Tale of Two Masses in B minor

March 3, 2017
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These are troubling times which make us realize how vital music — especially Bach — is to our souls, to our spiritual wellbeing.

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The Arts on the Stamps of the World — March 3

March 3, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Dance Review: Meredith Monk — Songs With and Without Words

March 2, 2017
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Any performance of Meredith Monk’s is spare to the point of enigma, and also tremendously evocative.

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