Featured
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
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Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
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If you’re up for a lofty challenge, the experimental British rock outfit Black Midi is more than poised to fill the void.
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The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
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There are stunning scenes full of energy and visual beauty, but Halston left me feeling somewhat cold.
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“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
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Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
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This fine documentary of a highly respected elder bassist presents a clear, focused picture of a man who is also a jazz musician.
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As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues if the event is available by streaming or is in person. More offerings will be added as they come in.
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THE ARTS FUSE TURNS 14! — Our Spring Appeal
Please help us bring the arts and culture community roaring back to life by supporting the magazine and its independent coverage.
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