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The Feast isn’t coherent enough to go toe to toe with modern folk horror heavyweights, but it’s an admirable entry in the canon.
Two new Chicago-connected releases explore combinations of flute, cello, percussion and more to good effect.
As it chronicles the rise and fall of the titular Von Dutch brand, the series tries to exploit nostalgia and true crime at the same time.
For all the sensual lushness of Melissa Broder’s writing, that hard center remains, one where appetite invites awareness, bringing with it pain as well as satiety.
The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
Boiling Point is as suspenseful a film as anything else I’ve seen this year.
There are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
Stephen Sondheim was the most influential musical-theater artist of the modern era. His death leaves a permanent hole in the art form and in the hearts of his fans.
Let’s hope The Sex Lives of College Girls is given a second season because, much like Sex Education, it is a reminder of the value of the real at a time Big Tech and others are trying to pull us into living and loving in the virtual.
Poetry Review: Writer Alain Mabanckou — Taking Life Both to Heart and in Stride
Take a dive into any of Alain Mabanckou’s works in English — and definitely score a copy of the new translation, As Long As Trees Take Root In the Earth, beautifully crafted and bound. Vive la Poesie!
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