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Johannes Brahms’s wistful 1894 Clarinet Sonatas receive fantastic performances.
Magic is a performative pursuit as demanding as high-wire acrobatics — yet a vocation lacking respect, perhaps for good reason.
This “father and sons on the lam” film adeptly blends genres (in this case: sci-fi plus thriller). It is well assembled, emotionally compelling, and beautifully shot.
Taken together, the selections on Attacca Quartet’s latest release is something of a meditation on the human condition.
The social message of Generations is powerful and clear: it is time to be AWAKE + OUTRAGED.
The series gives a fine overview of its selected artists, and it does an even better job of introducing the turbulence, torments, treasures, and trippiness of 1971 to audiences who didn’t live through it (or who can’t remember much of it, for whatever reason).
Léa Seydoux claims the spotlight as the title character in Bruno Dumont’s pithy and entertaining France, giving a performance that’s cunningly calibrated to mesmerize.
If you’re looking for instrumental music that grapples with tumultuous events, times, and circumstances, this may well be the disc for you.
The brilliant Drive My Car is about many things, but at its core the film is an exploration of loss.
As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Arts Remembrance: Sonny Rollins, Jazz’s ‘Saxophone Colossus,’ Dies at 95