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The animation itself is akin to what you will see in familiar domestic cartoons, such as The Simpsons, Family Guy, and Bob’s Burgers. So it’s the quirky humor that makes Koala Man uniquely Australian.
Director Alice Diop wisely avoids offering a neat solution to Saint Omer‘s exploration of a mother who murders her child.
Dave Malloy’s musical takes us through the personal creative hell of Russian composer Sergei Rachmaninoff.
This staunchly eclectic collection is also fiercely focused, unified by the fact that regardless of the subject, the poet never blinks, never looks away, never hesitates to name the pain.
For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
Maintaining liberty in the face of totalitarian fantasy calls for vigilance. Ernst Jünger’s cautionary tale may be more resonant now than when it was first published.
Sam Lipsyte’s latest novel does a bang-up job of capturing the edgy and zany milieu of the early ’90s.
A roll call of some of the notable musicians who passed away lat year.
There exists a worldwide community of journalists and critics who depend on each other to keep tabs on the ever-expanding universe of jazz and it’s more-or-less-affiliated fringes and fusions, and this poll is one of our most effective — and most anticipated — resources.
The 17th Annual Francis Davis Jazz Poll — My Poll Without Me
This most recent poll also proves the worth of the poll itself — that it doesn’t so much confirm consensus as create it.
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