Commentary
Burt Reynolds was appealing primarily because one always knew what to expect from him: sex appeal, charm, humor, and a manly warmth that permeated every part he played.
Read More“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
Read MoreCartagena is a 500-year old urban jewel in the Caribbean. But climate change and rising sea levels threaten its heritage.
Read MoreArts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
Read MoreIn what ways are the arts themselves (and our understanding of them) being shaped to serve the ethos of corporate profit-making?
Read MoreWill working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
Read MoreProgramming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
Read MoreThe quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.
Read MoreDiverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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Remembrance: Randy Weston — A Powerful Musician and Teacher
For the most part, Randy Weston reached behind the boppers, drawing for inspiration on a solo stride tradition which he adapted to his own needs.
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