Commentary
Now George Soros is mostly known as favored target of the right, more onerous to it, it seems, than even — Lock Her Up! — Hillary Clinton.
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Producers are tapping into a specific demographic: predominantly white audiences that are flush and who crave the thrill of hearing – and seeing – their favorite tunes performed live.
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Why is the curtain suddenly dropping now on FilmStruck, a vast, diverse, and tastefully curated archive of films spanning the past century and the entire globe.
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Yes, The New Yorker cover pillories the superrich as they ignore the pixie proletariat at their feet. But so what?
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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The old questions, good as they are, are going to be augmented with new ones: Are we creating a world worth living in? Are we creating a world we can continue to live in?
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To an extent, The Niceties does probe a fault line between the Democratic Party and the left: a boundary that will rupture sooner rather than later.
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For most of its history, jazz has been a macho culture. Sexual ambiguity or gay-ness were subjects of derision.
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There’s so much going on in the area that’s good that it’s a challenge to go wrong.
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Film Commentary: A Critical Dichotomy — Time to Resolve It
It’s as if critics of silent films were barred from discussing talkies, or devotees of black and white were banned from discussing color.
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