Books

Book Review: “Jew-ish: Reinvented Recipes from a Modern Mensch” — Nosh Nirvana?

March 1, 2021
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Jake Cohen is “modern” in that he takes a contemporary approach at spreading the gospel; he is an expert at using social media.

Book/Film Interview: Leslie Epstein on “Casablanca” and “Hill of Beans”

February 25, 2021
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An interview with Brookline’s own Leslie Epstein on his new novel, the inexhaustible freshness of Casablanca, and the need for truth in historical fiction.

Book Review: “Second Time Around: From Art House to DVD”

February 23, 2021
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The book’s conceit is that D.A. Miller watches films he’s seen earlier in life with enhanced perception because of the possibilities offered him through the DVD lens.

Book Review: “No One is Talking about This” — Tale Of Two Realities

February 18, 2021
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You will come away impressed by Patricia Lockwood’s skillful literary play — enjoy an escape from your own Internet miasma, and then be affected by a powerful contrast to it.

Book Review: “Under a White Sky” — Saving Ourselves and Nature

February 15, 2021
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Can we correct some of the mistakes we’ve made and engineer our way out of a deadly climate crisis of our own making?

Book Review: “Fabrications” — A Collection of the Lies We Tell

February 10, 2021
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Few writers can generate as much tension in so few pages as Pamela Painter.

Book Review: “Art and Faith” — Creating Revelatory Beauty

February 9, 2021
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Art and Faith should be widely read — its delightful wisdom and clarity underlines our culture’s desperate need to make things new.

Book Review: “Renato!” — Novelist Eugene Mirabelli, Creator of Inwardness

February 5, 2021
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What a pleasure it is to revel in this work, which expresses enduring values in such an original way.

Book Review: The Glory of “Full Dissidence”

February 5, 2021
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Full Dissidence is not just about the corruption of professional sports. It is a fierce polemic that will alter the way you look at America.

Book Review: Nashville Songwriter Aimee Mayo is “Talking to the Sky”

February 3, 2021
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Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.

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