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“Hey, the more Yes music being played in 2016, the better.”
Shakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
Most of the can’t-miss acts on this year’s Lowell Folk Fest roster are artists who make preserving musical traditions a family business.
Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
Readers inspired to take a listening journey from Gioia’s historical perspective will benefit greatly from his delineation of jazz’s various forms.
Ben Ratliff’s volume about how to listen to music is full of fairly radical but largely undefended assertions.
A writer has to write for the now or to write for the ages. Gleason almost always chose the now, but his best moments go deeper.
Cultural Commentary: Artwashing — Aiding Derelict Neighborhoods or Abetting Social Inequity?
For the anti-gentrification critics, urban deterioration should be left the way it is.
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