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Pitched in this era of hyper partisanship and sharp division, The Ground Between Us is notable because of the weight and balance it gives to the issues at stake.
Sofia Coppola’s flawed characters are part of the real world, engaged in authentic relationships struggling with universal dilemmas.
The pathway to tyranny is paved by encouraging people to believe in the uselessness of science, logic, and expertise.
A taboo interracial romance may not be groundbreaking material for fiction, but Robinson’s spare conflicts are only the means to generate intimations of the profound in the everyday.
Bravo to the Bru Zane folks for this latest triumph! I encourage opera lovers to get to know this treasurable Spanish (or faux-Spanish) work by the pioneering master of nineteenth-century operetta.
He may be extreme as a polemicist, but Ricky Riccardi shines when he sticks to jazz’s history.
For fans of novellas, Filthy Rich will be a trashy guilty pleasure.
Charles Lloyd and Julian Lage and Zakir Hussain served a loose, flowing 65-minute set with complementary facility that belied the novel circumstances.
I’ve hated enough people,” Penny Arcade confessed, “I can’t hate anyone new until 2022.”
Jazz Commentary: Louis Armstrong as Negotiator
Throughout much of his career, Louis Armstrong negotiated a balance between being a “popular” artist and a jazz artist.
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