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“I was in a dominant position, and I used the weapons of that dominance, whose fragility, in a romantic relationship, I nonetheless recognized.”
Godspeed’s left-wing view was most clearly reflected at a merch table dominated by books on working-class resistance and anarchism, while the group’s dissonant post-rock embodied tension.
“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
Let’s hope composer Tod Machover, Opera of The Future, and the Media Lab have more up their space-age sleeves.
Pro Wrestling Company Ohio Valley Wrestling is the little train that could and knows that it can.
“I just want to fly my kite like everyone else. I’m not interested in being the greatest. That sounds like an awful ball and chain. I love the freedom that I have.”
Trumpeter Terell Stafford never seems to be straining; he can be exuberant without sounding brassy.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Joseph Bologne, whose mother was a slave in Guadeloupe, proves to be as skillful in vocal-dramatic music as we have long known he was in instrumental works.
Book Appreciation: Celebrating Kate Atkinson’s “Life After Life” –The Best Novel of the 21st Century
In “Life After Life,” novelist Kate Atkinson has shown how boundless the imagination can be.
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