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From the Berkshires to Cape Cod, and with a major stop in Beantown, Massachusetts is the place to be for the autumn jazz festival season.
The well sung, classically staged Lyric Stage production of “The Mikado” supplies plenty of trip down memory lane satisfactions.
I can say, without equivocation, that Helen Dunmore’s novel “The Greatcoat” is no “The Turn of the Screw.”
In its program, the A.R.T. links today’s 1% with the French aristocracy, a stab at relevance that does both the snobby thugs of the French Revolution and the super well-off of today a disservice. Say what you will about the 1%, but they aren’t stupid.
The greatest obstacle H&H faces in building new audiences, though, is far more insidious than too many period ensembles in town: it has to do with time.
What percentage art? What percentage terrorist attack?
The latest play by the celebrated Israeli writer A.B. Yehoshua is a historical drama that revolves around an imaginary conversation between two major political rivals about Zionism and the founding of Israel. Israeli Stage is presenting the American premiere of a staged reading of the script.
In the encyclopedic, fascinating, and intermittently infuriating “The Woman Reader,” author Belinda Jack argues that we should not fear the battle between paper vs. pixels, but value reading and the ways it nourishes a woman’s inner life.
“The Great American Railroad War” reminds us of an inspired journalistic reaction to the crimes of an earlier age of robber baron.
Book Commentary/Review: Imagine There Are No Negative Reviews — It’s Not So Easy If You Try
Who has taken criticism out of the hands of the “true critics”? Is someone making me read rancid Amazon reader reviews? Where do we look for the “true critics”?
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