Tim Jackson
The Worst Ones is a distinctive cinematic achievement – it is deeply moving film that offers a critique of itself.
Florence Pugh tends to be cast as beautiful and indomitable characters faced with the very real possibility of madness or defeat.
By drawing on the insight and humor in Don DeLillo’s novel, Noah Baumbach manages to find (at least for me) affirmation and comfort in this portrait of the randomness of contemporary existence.
Thank you, Dino, for all you contributed to music and to the art of drumming.
Charlie’s Good Tonight does a fine job of illuminating Charlie Watts’ personality and paying homage to the drummer’s admirable legacy.
Singer and songwriter Robin Lane talks about the genesis of her new album. She will be performing live around New England with a new ensemble.
Crucially, Blonde lacks a sense of joy. As Marilyn Monroe crumbles into an alcohol and drug haze, this expressionistic version of her life disintegrates into a succession of discomforting, sometimes laughable, scenarios.
Daniel Raim’s Fiddler’s Journey to The Big Screen is a terrific documentary about the creation of the titular film.
Ashley Bryan was a remarkable artist and legendary figure in Maine and New York who passed away at the beginning of February.
Arts Commentary: Containing Multitudes — Five Shows Explore the Intersections of Identity and Performance
In dealing with the turmoil of ‘real’ life, the art of illusion found in cinemas, theaters, and museums will help us regain a sense of who we are as communal beings.
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