Tim Jackson
This screening of Carl Dreyer’s classic film will offer some exceptional, and exciting, musical strengths.
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In Photograph, embracing your roots can nurture love — in very unexpected ways.
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
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Us is a comic-horror allegory about the revolution of the underclass.
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When you play music onstage with someone over the decades you know what they’re thinking with a single glance.
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Despite the soap opera details, Everybody Knows never becomes implausible.
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The Favourite may be a raucous historical lampoon — but it is a timely one.
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Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
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What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.
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These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest