The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
Film Preview: “The Passion of Joan of Arc” — Silent Film Meets Opera
This screening of Carl Dreyer’s classic film will offer some exceptional, and exciting, musical strengths.
Film Review: “Photograph” — An Unforeseeable Romance
In Photograph, embracing your roots can nurture love — in very unexpected ways.
Film Review: “The Chaperone” — Smothered in the Spiffy
The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
Film Review: We are All “Us”
Us is a comic-horror allegory about the revolution of the underclass.
In Memoriam: Asa Brebner
When you play music onstage with someone over the decades you know what they’re thinking with a single glance.
Film Review: “Everybody Knows” — From Out of the Past
Despite the soap opera details, Everybody Knows never becomes implausible.
Film Review: “The Favourite” — Hysterical History
The Favourite may be a raucous historical lampoon — but it is a timely one.
Film Review: “Border” — Memorable Swedish Gothicism
Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
Film Review: “Where the Pavement Ends” — The Roots of Racism
What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.