Under the Silver Lake would be infuriating were its Charlie Kaufman-inspired adventures not so entertaining.
Film Review: “Crawl” — Home Invasion of the Creepy-Crawlies
This is a perfect guilty pleasure, an old fashioned B-movie without a franchise, explosions, overly recognizable actors, or exhausting mano a mano violence.
Film Review: Report from the 2019 Provincetown Film Festival, Part Two
Finding independent films that may or may not receive wider distribution, as well as talking to filmmakers anxious to answer questions about their work, are great reasons to travel to the Provincetown Film Festival.
Film Review: “The Dead Don’t Die” — A Zombie Jamboree
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
Film Preview: “The Passion of Joan of Arc” — Silent Film Meets Opera
This screening of Carl Dreyer’s classic film will offer some exceptional, and exciting, musical strengths.
Film Review: “Photograph” — An Unforeseeable Romance
In Photograph, embracing your roots can nurture love — in very unexpected ways.
Film Review: “The Chaperone” — Smothered in the Spiffy
The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
Film Review: We are All “Us”
Us is a comic-horror allegory about the revolution of the underclass.
In Memoriam: Asa Brebner
When you play music onstage with someone over the decades you know what they’re thinking with a single glance.
Film Review: “Everybody Knows” — From Out of the Past
Despite the soap opera details, Everybody Knows never becomes implausible.