Peter Walsh
It’s tempting to frame these books as opposing sides in an argument, Old School Establishment vs. Progressive Left. They are more like parallel universes; their opinions and even their terms rarely converge.
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Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
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The dignified design and subtle lighting of the Wadsworth installation manages to keep the diversity, frenetic variety, and colorist’s dream of this exhibition from being overwhelming.
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Alice Sedgwick Wohl has a disturbing tendency throughout the book to back away from her points even as she makes them, as if afraid she will find herself trapped in some politically incorrect cul de sac or just a bad neighborhood.
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Perhaps unintentionally, the show is a moral fable on the nature of true achievement: Milton Avery’s steady progress on his own path stands out in this age of online influences and the rabid pursuit of instant fame and material success.
Read MoreVisual Arts Book Review: “Florine Stettheimer: A Biography” — One of American Art’s Greatest Enigmas
The volume’s overarching goal is to restore Florine Stettheimer to what the biographer sees as her rightful reputation as one of the great American artists of the 20th century.
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This is an important book, a powerful account of the decline of California as America’s paradise.
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At a time when ambitious women of any sort were often harshly criticized for pursuing a professional career, Barbara Rose only forged on.
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The documentary covers a lot of dark and tragic territory, but it remains entertaining throughout, no doubt more than anything else from its skill in capturing the fierce, tender, acidic, brilliant, and ultimately inextinguishable energy of its subject, artist David Wojnarowicz.
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Book Review: “Isabella Stewart Gardner: A Life” — Less Intriguing But Even More Mysterious
As befits an official biography, Silver and Greenwald approach their subject with decorum and respect: they neither hide nor emphasize potentially controversial elements, carefully outlining the sources of money in Isabella’s family and the old Boston Brahmin fortune of her devoted husband.
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