Peter Walsh
Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.
Read MoreJohn Giorno was in the vanguard of what later became the herd: Ginsberg, Kerouac, Warhol, Buddhism, Burroughs, enlightenment, spiritual quests to India, unfettered sex, wild poetry, new technology, experimental forms of expression, queer politics, pot, speed, LSD — all the household bric-a-brac of the counterculture.
Read MoreHow, as an African-American visual artist, do you represent something that no one wants to think about, much less look at? Kara Walker’s solution is ultimately an aesthetic one.
Read MoreThis fascinating exhibition surveys the entire history of the National Academy membership and, almost incidentally, provides a potent cross-section of the history of American art and its discontents.
Read MoreThe book will stand as a good first stop for anyone interested in Alfred Stieglitz, 20th-century photography, or American modern art.
Read MoreJean-Philppe Blondel’s books are especially praised by critics for their charm and smoothly-shaped prose.
Read MoreIn more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.
Read MoreDespite its serious treatment of surreal art, Monsters & Myths is a real delight.
Read MoreLife, Death & Revelry explores the aura of the Farnese Sarcophagus from several points of view, including those of the conservators who recently cleaned it of decades of accumulated grime.
Read MoreTo modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
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Book Interview: Heather Cox Richardson on “Democracy Awakening”