Arts Fuse Editor

Jazz Album Review: Ran Blake’s “Looking Glass” — Music from an Idiosyncratic Guru

February 17, 2022
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This album offers a Baedeker of pianist Ran Blake’s cinematic effects, the mis-en-scene for a narrative musical imagination unlike any other.

Book Review: “Jena 1800” — A Ferocious Hunger for Freedom

February 15, 2022
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Peter Neumann has written a compelling historical study that focuses on the tumultuous concatenation of a number of imaginative and dynamic thinkers.

Rock Album Review: David Bowie’s “Toy” — Perusing His Back Pages

February 15, 2022
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David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.

Film Review: “Margrete, Queen of the North” — One Matriarch, One Scandinavia

February 14, 2022
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This is an opulent and ambitious historical drama, as attentive to small intimate scenes as it is to grandiose action sequences.

Opera Review: “Iris,” A Powerful Vision of an Imaginary Japan — Six Years Before “Madama Butterfly”

February 14, 2022
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The composer of Cavalleria rusticana brought his sense for characterization and drama to the all-too-plausible tale of a woman victimized by a cad.

Film Review: “Munich: The Edge of War” — The Necessity of Resistance

February 13, 2022
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A suspenseful, finely-crafted historical thriller that reminds us that the triumph of evil depends on good men doing nothing.

CD Review: Dave Bainbridge’s “To The Far Away” — Prog Rock with Passion

February 12, 2022
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For prog fans who consider that the proof of the pudding is long, complex songs with virtuosic solos and exotic instrumentation, no fear: To The Far Away is multi-textured and musically exciting.

Rock Album Review: Mitski’s “Laurel Hell” — The Art of Exhaustion

February 10, 2022
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At times, Laurel Hell’s withering fatigue is directed at the clash between commodification and art.

Visual Arts Review: Friction Among Minimalists

February 9, 2022
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Seeing Eleanor Antin’s 100 Boots all in one place is exciting — this work of “postal art” is still explosive. Fred Sandback’s minimalist pieces offer a quiet contrast.

Film Reviews: Two Views from Ukraine at Sundance – Kids and Chaos

February 8, 2022
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With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.

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