Arts Fuse Editor

Film Review: “You Won’t Be Alone” — Witchcraft, Forever

April 3, 2022
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This is no run-of-the-mill supernatural witch movie.

Coming Attractions: April 3 Through 18 — What Will Light Your Fire

April 3, 2022
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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.

Film Review: “Gagarine” — Everything Is Falling But the Sky

April 3, 2022
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If you’ve never seen a French film with a PG feel, the well-meaning Gagarine might be the one for you.

Visual Arts Commentary: Banksy Didn’t Authorize This

April 1, 2022
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When you go to the Art of Banksy website it is immediately clear that Banksy himself had nothing to do with this traveling show.

Book Review: On Our Love Affair With Catastrophe — So Long as it is Happening to Someone Else

April 1, 2022
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David Thomson’s meditation on our love of disasters is engagingly allusive, reflective, humane, wide-ranging, and often funny.

Opera Album Review: The “Fidelio” Story a Year Before Beethoven’s Opera — and in Italian

March 30, 2022
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A new recording of Ferdinando Paër’s Leonora gives us characters we love (or love to hate) in a fresh light

Bluegrass Album Review: Molly Tuttle — Blurring the Boundaries between the Folksy and the Exploratory

March 29, 2022
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Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.

Book Review: The Climate Crisis and the “Race for Tomorrow”

March 29, 2022
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If there is one book to pick up that will get you interested in what is happening to our climate, Race for Tomorrow is it.

Book Review: “What’s Good: Notes on Rap and Language” — Finding Multitudes of Meaning

March 29, 2022
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To always be listening more and to therefore always be listening differently is of course the very nature of fandom, and to call What’s Good the work of a fan is not a putdown.

Arts Commentary: The Oscars 2022 — No Longer So White, But Still Not So Hot

March 29, 2022
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It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.

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