Arts Fuse Editor
This is an immensely complex, deeply atmospheric story of the working class, of immigrants with global origins, many who are descendants of early settlers.
Jean-Michel Pilc is a talented pianist who expresses his happiness at just being alive via performances that treat the most revered standards in a manner that is wholly personal, even idiosyncratic — yet memorable.
Jazz Concert and Album Review: Vincent Peirani and Emile Parisien — Bringing Culture to the Colonies
The communication between Vincent Peirani’s accordion and Emile Parisien’s soprano sax was effortless, empathetic, and flawless.
I am beginning to suspect that Franz Schreker was the most effective of the many semi-forgotten opera composers who were active in the German lands during the first decades of the twentieth century (that is, ones less well known today than Strauss, Berg, and Kurt Weill).
All three are singer/songwriters whose individual gifts mesh seamlessly with soaring harmonies and a like-minded empathetic view of the world.
This is free jazz perhaps, but it never sounds frantic, wild, or abandoned.
Dear reader, do enjoy a second season of Bridgerton’s ornate balls, lush landscapes, and 19th century flirting.
As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in. Film The Children’s Republic (2012) March…
Playing on their strengths and working within the limitations of each medium, both The Dropout and Bad Blood pull us into the very American story of Theranos’ and Holmes’ rise and fall.
Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
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