Arts Fuse Editor
“I may second guess how a song was recorded. But I can say that all that we have done has come from an honest place.”
Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.
Corporate anti-racism – Bank of America is a major sponsor for the documentary – causes Ken Burns to pull his punches.
I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.
AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
We live on the stage of my theater now.
For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.
Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy
Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.
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