Arts Fuse Editor

Arts Feature: Opening Night for The Groton Hill Music Center

October 23, 2022
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There is a full lineup of performances scheduled for the next few months in Groton Hill Music Center’s Meadow Hall as the organization’s donors and subscribers prepare for life in the world-class facility.

Coming Attractions: October 23 through November 8 — What Will Light Your Fire

October 23, 2022
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in. Frankenstein (1931) Somerville Theatre at 2 p.m. on October 23 This iconic horror film from 1931 screens today with a live…

Theater Reviews: On Broadway — Tom Stoppard’s “Leopoldstadt” and Martyna Majok’s “Cost of Living”

October 21, 2022
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Two stirring dramas hit Broadway, one weightier than the next

Film Review: Watching the Detective in Park Chan-wook’s “Decision to Leave”

October 20, 2022
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Yes, an ingeniously kaleidoscopic surface, but is there anything here, in terms of motivation, to justify all the fuss?

Film Review: London Film Festival Dispatch #2 — “Sick of Myself” and “Triangle of Sadness”

October 20, 2022
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Two over-the-top social satires take sharp swipes at modern excesses.

Book Review: “The Tree Stand” — Sharply Observed Stories of Hardscrabble Lives

October 19, 2022
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These are compelling stories about the trials and tribulations of dynamic, working-class characters.

Arts Commentary: The Power and Perils of Copyright– Andy Warhol, Lynn Goldsmith, and the Prince Print

October 19, 2022
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Whatever the Supreme Court determines will alter the world of artists, writers, and musicians for decades to come, a world that has already been dealt a financial blow by the economic pressures of the internet.

Television Review: “Rosaline” — Burlesquing the Bard’s “Star-Cross’d Lovers”

October 19, 2022
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Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.

Film Review: London Film Festival, Dispatch #1 — “1976” and “A Room of My Own”

October 18, 2022
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Reviews of two standout films from the 66th London Film Festival — one of the most dynamic festival programs in recent memory.

Visual Arts Review: Ambiguity in Wonderland — Rachel Portesi’s “Standing Still” at the Griffin Museum

October 16, 2022
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More than skin deep, and not as sentimental as it might first appear, Rachel Portesi’s adoption of Victorian techniques is appropriate to the themes of loss and change she sets out to explore.

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