Arts Fuse Editor
The Pixies could be anthemic, snarky, jaunty, or forlorn as they chose, which meant they were never boring.
This collection, Newvelle Records’ first series release in two years, features original compositions by Elan Mehler, Michael Blake, Dave Liebman, and Nadje Noordhuis.
This is a terrific start for a series that may live up to the promise of The Twilight Zone: it will take you “on a journey into a wondrous land whose boundaries are that of imagination.”
Both of these films explore the theme of difficult males and resilient, caregiving females.
Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
“As the old saying goes,” writes author and former prosecutor Valena Beety, “when you’re accustomed to privilege, equality feels like oppression.”
Visual Arts Review: A Mom’s Gaze — Anna Grevenitis and the Arnold Newman Prize at the Griffin Museum
Each project in the exhibition presents unique perspectives on seeing and being seen, fitting for the Newman Prize’s goal of providing a platform for innovative photographic portraiture.
It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
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