Arts Fuse Editor
The point of Bob Dylan’s project is emotional rather than definitive: to probe the power of song to influence us, make us feel, and ultimately transform us.
Kick the Latch (the title refers to what is done to open the starting gate in a horse race), through its plain and spare authenticity, is a powerful and impressive success.
A wrap-up of the London Film Festival that focuses on two favorites, Inland and The Store.
I know no more thoughtful disquisition, for the opera stage, on basic questions of life, death, war, love, power, and resistance.
English makes us consider what it looks like from the other side of our native tongue; from the outside looking in.
The Pixies could be anthemic, snarky, jaunty, or forlorn as they chose, which meant they were never boring.
This collection, Newvelle Records’ first series release in two years, features original compositions by Elan Mehler, Michael Blake, Dave Liebman, and Nadje Noordhuis.
This is a terrific start for a series that may live up to the promise of The Twilight Zone: it will take you “on a journey into a wondrous land whose boundaries are that of imagination.”
Both of these films explore the theme of difficult males and resilient, caregiving females.
Gil Rose’s team, headed by an incandescent Ellie Dehn as Catherine of Aragon, should help bring this major work back to the world’s opera-house stages.
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