Arts Fuse Editor
In Available Light , Lucinda Childs’ dancers execute a series of movement phrases which to a viewer may seem simple, but in fact require intense focus and control on the dancers’ part.
Director Cristián Jiménez treats the melodramatic proceedings with an ironic sense of humor that manages to keep the maudlin at bay.
Over a 90-minute set Mike & the Mechanics touched a number of bases, all of them comfortable and familiar: Rousing AOR rock, soft rock ballads, retro-soul, and just a slight touch of Genesis prog.
Since joining the Dance Complex as executive director nearly two years ago, Peter DiMuro has been committed to widening the niche-bound notion of dance.
Arts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.
Ok, this isn’t the Gang of Four of yore — but There’s still something to be said for getting drunk on cheap wine.
The enduring curse of the past is not a new subject; it is Obra’s compelling visuals that make it special.
Glow is a witty, accessible, but at times overly ambitious journey through the world of exotic drugs, the chemistry of romance, and the insidious effects of globalization.
In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
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