Arts Fuse Editor

Visual Arts Review: Viva Cuba! at Galeria Cubana

February 18, 2015
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For many Americans, Cuba has an air of mystery, but the art on view here is accessible, not enigmatic, even at times somewhat didactic.

Fuse Film Review: “Fifty Shades of Grey” — Where the Hell is Fabio When You Need Him?

February 17, 2015
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Mr Grey had his peccadilloes to be sure but, if you were unaware of the kinky side of his love life, then either you’ve been living under a rock, or missed that day in health class.

Fuse Rock Concert Review: Chris Robinson Brotherhood — Sticking to its Hippie Guns

February 16, 2015
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Yes, Chris Robinson is ironically in a band called the Brotherhood when he can’t work with his actual brother in the Black Crowes.

Fuse Coming Attractions: What Will Light Your Fire This Week

February 15, 2015
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Arts Fuse critics select the best in film, theater, music, dance, and author events for the coming week.

Dance Review: “Gumshoes in Tap Shoes” — Sleuthing for a Voice

February 9, 2015
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Gumshoes in Tap Shoes, a dance noir with ’60s big-band music from the likes of Henry Mancini, is an ambitious project.

Film Review: “A Most Violent Year” — A Most Masterful Accomplishment

February 9, 2015
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A Most Violent Year is nothing if not intense.

Fuse Book Review: “Bomb’s Author Interviews” — Hipper Than Thou

February 8, 2015
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Bomb Magazine’s goal is not merely to comment on the arts, it is about making art.

Fuse Coming Attractions: What Will Light Your Fire This Week

February 8, 2015
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Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.

Theater Review: “The Second Girl” — A Sensitive Portrait of the Irish Working Class

February 7, 2015
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The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.

Visual Arts Review: An Indelible Sense of Vermont — The Photographs of Nathan Benn

February 4, 2015
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Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.

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