Arts Fuse Editor
Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Rejecting unadorned box-like designs, Michael Graves created with patterns, textures, decorations and color in ways large and small.
One leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.
Without being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The Legend of Zelda: Majora’s Mask is the video game version of Groundhog’s Day — you’re Bill Murray, and it’s brilliant.
A graphic novel about the death of art and the art of death
For the diehards who crowded the Sinclair, the Church aren’t about hit singles and nostalgia; they’re about double-guitar dreamscapes and psychedelic visions.
Written and directed by feature film newcomer Matais Lucchesi, Natural Sciences is a cautionary tale: be careful what you wish for.
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