Arts Fuse Editor

Dance Review: “Gumshoes in Tap Shoes” — Sleuthing for a Voice

February 9, 2015
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Gumshoes in Tap Shoes, a dance noir with ’60s big-band music from the likes of Henry Mancini, is an ambitious project.

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Film Review: “A Most Violent Year” — A Most Masterful Accomplishment

February 9, 2015
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A Most Violent Year is nothing if not intense.

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Fuse Book Review: “Bomb’s Author Interviews” — Hipper Than Thou

February 8, 2015
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Bomb Magazine’s goal is not merely to comment on the arts, it is about making art.

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Fuse Coming Attractions: What Will Light Your Fire This Week

February 8, 2015
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Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.

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Theater Review: “The Second Girl” — A Sensitive Portrait of the Irish Working Class

February 7, 2015
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The actors in the central roles are extremely fine, particularly Kathleen McElfresh’s beautifully nuanced performance as the anguished Bridget O’Sullivan.

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Visual Arts Review: An Indelible Sense of Vermont — The Photographs of Nathan Benn

February 4, 2015
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Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.

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Rock Concert Review: Billy Idol — Aging, But Still Playing the Bad-Boy

February 2, 2015
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Go ahead, name another older rocker this side of Iggy Pop who can get away with playing most of his show bare-chested.

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Fuse Coming Attractions: What Will Light Your Fire This Week

February 1, 2015
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Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.

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Book Review: “The Water-Babies” — A Darwinian Fairy Tale by an Eccentric’s Eccentric

January 30, 2015
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Why is The Water-Babies a classic fairy tale? It doesn’t take itself too seriously, yet it doesn’t ignore important issues.

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Visual Arts Review: Otto Piene’s Artistic Legacy — x 2

January 28, 2015
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Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.

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