Arts Fuse Editor
Cinderella isn’t a lavish spectacle à la the Met, but rather, like its heroine, modest on the surface while pulsing with a generous heart underneath.
Read MoreThe overriding theme in Roy Andersson’s films is the conflict between human frailty and our delusions of control.
Read MoreOne thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
Read MoreHe came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreThe best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
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M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
Read MoreRose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.
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Dance Commentary: Misty Copeland, Ballet, and Race
Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.
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