Arts Fuse Editor

Fuse Feature: Best and Worst Films of 2015

December 12, 2015
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Our demanding critics choose the best (and worst) films of the year.

Fuse Film Review: “In the Heart of the Sea”—”Moby Dick,” Beached

December 11, 2015
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Don’t you just love the holiday season? It’s the time for the release of big budget flops and Oscar wannabes.

Fuse Book Review: “The Christos Mosaic”—An Exciting Historical/Theological Thriller

December 11, 2015
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The Christos Mosaic is the rare adventure story that rewards the reader’s attention by being as diverting as it is rigorously encyclopedic.

Fuse Theater Review: “The Snow Queen”—Sluggish Holiday Entertainment

December 11, 2015
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Thematically, The Snow Queen i suggests that maturity does not mean you have to do without heartfelt childishness.

Film Interview: Until the End of the Movies—Wim Wenders on his New Retrospective

December 10, 2015
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“Fictional movies seem more and more made from recipes. Documentaries seem a much more open, adventurous field.”

Theater Review: “The Shepherds’ Singularity”—Time Travel Meets Christmas

December 10, 2015
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The Shepherds’ Singularity‘s playful combination of science fiction and invention will surely incite thoughtful questioning and genuine wonder.

Rock Review: Rocket From the Tombs—Furiously Pointed and Pissed-off

December 9, 2015
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This was quintessential American punk that can stand proudly beside the MC5 and the Stooges.

Music Interview: Chris Difford of Squeeze—on Being “At-Odds”

December 8, 2015
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Friends since childhood, composer Tilbrook and lyricist Difford formed Squeeze in 1977; there have been two full-fledged breakups and reunions since then.

Film Review: “Men of the Cloth”—Portrait of an Artist as an Old Man

December 7, 2015
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Director Vicki Vasilopoulos has masterfully crafted a documentary about tailors, clothing, and the painstaking search for excellence.

Fuse Visual Arts Review: “Frank Stella: A Retrospective”—Admiration and Abhorrence Intertwined

December 7, 2015
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Now on the cusp of nine decades, Frank Stella is dedicated to visual experimentation, a kind of controlled and aesthetic atom-smashing,

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