Arts Fuse Editor

Film Review: “The Love Witch” — Retro Horror in Delicious Color

November 22, 2016
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The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.

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Theater Review: “Straight White Men” — No Surprises

November 21, 2016
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What the play lacks in surprise, the Wilbury treatment makes up for in excellent staging, acting, and a commitment to physical theater.

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Coming Attractions: November 27 through December 6 — What Will Light Your Fire

November 20, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

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Film Commentary: Witches are the Rage

November 17, 2016
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Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.

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Remembrance: The Somber Artistry of Leonard Cohen

November 15, 2016
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Leonard Cohen wrote with a mature poet’s sense of compression and depth.

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Theater Review: “How Soft the Lining” — A Powerful History Lesson

November 15, 2016
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How Soft the Lining brings considerable emotional power to bear on its exploration of the complexities of American history.

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Dance Review: Bill T. Jones — Pieces of a Conversation

November 14, 2016
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Bill T. Jones considers himself an heir of the postmodern dancers.

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Film Review: “Do Not Resist” — Brave New World Police

November 13, 2016
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Craig Atkinson’s incendiary new documentary provides sobering food for thought on the rise of police brutality and intimidation in America.

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Film Reviews: Boston Jewish Film Festival –Two Looks at Jewish-American Comedy

November 12, 2016
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Reviews of a trio of films at the Boston Jewish Film Festival.

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Fuse Preview: Aurea — Breaking the Boundaries Between Words and Music

November 9, 2016
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Adventurous, exciting, and thought provoking, Aurea is dedicated to an interdisciplinary vision of the arts.

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