Arts Fuse Editor
A terrifically fun — when not spine-tingling — exhibition of horror and sci-fi memorabilia.
Lucky is a showcase for Harry Dean Stanton’s unique talents, which primarily lie in his inhabiting roles as an amped-up or quirkier version of himself.
An outstanding production of a Stephen Sondheim musical that was initially thought to be a misfire.
The Monks were, and to some extent still are, the quintessential cult band.
Wilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.
Saxon and UFO may not be ‘forever young,’ but their spirits have yet to grow old.
I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.
Dana Schutz packs evocative and unexpected narratives into confined spaces, but not all of them fit as well as she thinks they do.
WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.
Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.
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